Kiri Dalena
Mag-uuma (Farmer), 2014
Single channel digital video, black and white, with sound | 2’ 06’’
Courtesy of the artist
MCAD, Manila, Philippines

About the video:
Mag-uuma (Farmer), features a young female dissenter from Mindanao whose performance during a peasant demonstration caught the attention of filmmaker and visual artist Kiri Dalena.

The young woman agrees to be documented while singing the song which she sang during the rally and the artist starts to film her in the middle of a rice field while farmers submerged in knee-deep paddies continued to plant. However, the young woman performes another song, compelling those around her to take pause and listen. This song of protest which she sings in the video is an old ballad learned from her mother, its verses speaking of a history of exploitation and poverty, circumstances that continue to cast a shadow on their community and personal lives. More...

About the artist:
Kiri Dalena (b. 1975, Philippines) is a Filipino visual artist and filmmaker whose body of work confronts the underlying social conflicts in contemporary Philippine society. Articulating certain realities of injustice and inequality, Dalena’s deep understanding of the mass struggle greatly influences her artistic practice, depicting forms and histories of civil resistance. Her works assert the importance of protest and activism against state persecution. She participated in Berlin Biennale 11: The Crack Begins Within, KW Institute for Contemporary Art, ExRotaprint (2020); JIWA: Jakarta Biennale 2017, Gudang Sarinah Ekosistem, Jakarta (2017); and Singapore Biennale: If the World Changed, Singapore Art Museum (2013).

Interview with the artist:
Where are you from and how did you become interested in moving image work?
I am based in Metro Manila now, but for some time I have been based outside of the city. I first became interested in moving image work when I was still a student in the University of the Philippines in Los Baños and I was slowly finding my way into the larger world. With the camera, I did not feel lost and felt that I had a center when I was framing and recording what was happening around me.

What inspired/influenced you to make the work?
I have worked as a human rights volunteer, and what is normally expected of me in peasant communities is to document incidents of human rights abuses. These are often in the form of interviews and testimonies about specific incidents, quantifiable and useful in paralegal work. Songs such as Mag-uuma do not serve this same purpose, but I am inspired to make them because they can hold something more, they can awaken something that I thought was impossible or rather, intangible, like hope.

What are you working on at the moment?
I am a resident artist for a museum project on American Colonial photography. The work is online and process is online so I am adjusting to the remote and the non-tactile format. I am also invited to work on a video about “empathy.” I am also active in the human rights movement here in the Philippines. I contribute for video, photography, research and recently even making pins. That one is a lot of work, especially now, with our present government.