CURRENT LOCATION » HOME » CINEMA » PAST PROGRAMS

Our Possibilities of Happiness

 

Before going on its two-month summer break, Istanbul Modern Cinema presents a “best of” program from this year’s world festivals. Comprised of the latest productions of established contemporary art film directors, the selection includes the heartbreaking and ironic drama Things to Come (L’avenir) by French writer-director Mia Hansen- Løve, in which Isabelle Huppert plays a philosophy professor facing a mid-life crisis, and The Handmaiden by South Korea’s star director Park Chan-wook which played in competition at the Cannes Film Festival. Olivier Assayas’s Personal Shopper, which won the award for “Best Director” at the 2016 Cannes Film Festival, is another film that stands out in the program. Part ghost story, part character study of a woman who works as a shopping assistant for a famous model in Paris, Personal Shopper is a bold movie with its enigmatic and suspenseful screenplay and captivating performance by Kristen Stewart, the first American actress to have won a César, the French equivalent of the Oscars.

 

PERSONAL SHOPPER, 2016

France, Germany/ DCP, Color, 105’/English, French, Swedish

Director: Olivier Assayas

Actors: Kristen Stewart, Lars Eidinger, Sigrif Bouaziz

 

This work by Olivier Assayas, the outstanding director of a new generation of French film, has a mysterious and captivating style. The director’s latest work is a ghost story as well as a realistic portrait of a lonely young woman. The viewer is drawn in by the very first scene in which Maureen, brought to life by Kristen Stewart’s superior performance, attempts to contact her recently deceased brother’s ghost in a dark, empty house.

 

 

THE HANDMAIDEN (AH-GA-SSI), 2016

South Korea | DCP, Color, 144’ |Korean, Japanese

Director: Park Chan-wook

Actors:Kim Min-hee, Ha Jung-woo, Jo Jin-woong

 

The Handmaiden, which made South Korean writer-director Park Chan-wook a candidate for the Golden Palm at the 2016 Cannes Film Festival, is an erotic thriller set during the Japanese occupation of Korea in the 1930s. The film explores the intrigue-filled relationship between a wealthy young Japanese woman, a Korean man who attempts to deceive her for her money and this man’s Korean servant. The Handmaiden is a feast full of plot-twists rendered with the superior esthetic conception of its quick-witted director.

 

 

ON BODY AND SOUL (TESTRÖL ÉS LÉLEKRÖL), 2016

Hungary |DCP, Color, 116´|Hungarian

Director: Ildikó Enyedi

Actors: Géza Morcsányi, Alexandra Borbély, Zoltán Schneider

 

On Body and Soul is the story of a mystical love between an introverted man and woman. Endre is the financial manager at a slaughter house near Budapest who instantly develops intense feelings for Maria, who comes to conduct an audit. But he can’t express his feelings either to himself or to Maria. Later, by coincidence, Endre and Maria, who is pedantic, meticulous and equally introverted, realize that they are having the same dream. The love they couldn’t express grows deeper in the fairy-tale-like atmosphere in which they meet each night. This film, which combines poetic narrative with harsh realism, won the Golden Bear at the 2017 Berlin Film Festival.

 

 

THINGS TO COME (L'AVENIR), 2016

France, Germany| DCP, Color, 102’ |French, English, German

Director: Mia Hansen-Løve

Actors:Isabelle Huppert, André Marcon, Roman Kolinka

 

Mia Hansen-Løve, one of France’s young talents, brings a story inspired by her mother’s life to the screen. Nathalie, played by the accomplished actress Isabelle Huppert, is a high school philosophy teacher. A chain of unfortunate events, her mother’s illness, obstacles in her career and marital problems, leads this middle-aged woman to freedom. This film, which won the Silver Bear for “Best Director” at the 2016 Berlin Film Festival, contains references to well-known philosophers.

 

 

PATERSON, 2016

France, Germany, USA | DCP, Color, 113’ | English

Director: Jim Jarmusch

Actors:Adam Driver, Golshifteh Farahani, Chasten Harmon

 

In his latest film Jim Jarmusch, one of the leading independent directors in the US, tells the deep, quiet story of Paterson, who lives in Paterson, New Jersey. Paterson, a taciturn bus-driver in this quiet town, has a passion for writing poetry. This film, which was nominated for the Golden Palm at the 2016 Cannes Film Festival, draws attention to the cheerfulness and beauty that is lost in the monotony of daily life.

 

 

I AM NOT YOUR NEGRO, 2016

USA, France, Belgium | DCP, Color, Black-and-White, 93’ | English

Director: Raoul Peck

Narrator:Samuel L. Jackson

 

American master director Raoul Peck presents a captivating documentary focusing on James Baldwin’s unfinished book, Remember This House. Baldwin’s voice returns to life with Samuel L. Jackson’s narration in this film composed of fragments of old talk shows, archive images, old photographs and articles and the ideas of the activist leaders Medgar Evers, Malcolm X and Martin Luther King Jr. The narrative is as poetic as it is dramatic, chilling in that it brings the realization that everything Baldwin said about racism in the US still holds true andis a masterpiece that will be remembered for a long time.

 

 

SPOOR (POKOT), 2017

Poland, Germany, Czech Repuplic, Sweden, Slovakia| DCP, Color, 128’ | Polish

Directors: Agnieszka Holland, Kasia Adamik

Actors:Agnieszka Mandat-Grabka, Wiktor Zborowski, Jakub Gierszal

 

Janina Duszejko is a sweet, charismatic and attractive old woman who lives a reclusive life in a mountain town near the Polish border and has a passion for astrology.  When she goes deep into the forest to look for her lost dogs she finds her neighbor’s dead body surrounded by deer tracks. Events reach a mystical dimension and the whole town is affected when similar deaths occur and all of the victims are hunters. The film depicts life in rural Poland in a realistic style and reflects seasonal changes with striking cinematography. It is an escapist crime thriller that moves back and forth between genres.

 

 

AFTERIMAGE (POWIDOKI), 2016

Poland| DCP, Color, 98´ |Polish

Director:Andrzej Wajda

Actors: Boguslaw Linda, Bronisława Zamachowska, Zofia Wichlacz, Tomasz Wlosok

 

Master director Andrzej Wajda brings a troubled period of Poland’s history to the screen. Afterimage focuses on a period in the career of Wladyslaw Strseminski, Polish painter, art theorist and one of the pioneers of avant-garde constructivism in the 1920s. The artist rejects the oppressive rule of the Communist Party leadership after WWII and is condemned to poverty. The touching story of the artist’s courageous fight for artistic freedom is enhanced by accomplished lighting and art direction.

 

 

SAFARI, 2016

Austria | DCP, Color, 90´|German, English, indigenous African language

Director: Ulrich Seidl

Actors: Gerald Eichinger, Eva Hofmann, Manuel Eichinger, Tina Hofmann

 

Ulrich Seidl, who is known for bringing the most controversial aspects of human nature to the screen with a distinctive sangfroid, presents us with a documentary about hunting tourism. A group of European tourists goes on safari in Africa to hunt animals such as zebras, impalas and giraffes. After the animals are pronounced dead, they are loaded onto trucks and cleaned by African workers. The audience is left surprised by the detached and emotionless manner in which this process is openly portrayed. This is an unusual film about hunting tourism and human nature.

With the Contributions of 

 

 

THE NET (GEUMUL), 2016

South Korea | DCP, Color, 114’ |Korean

Director: Kim Ki-duk

Actors:Park Ji-il, Jeong Ha-dam, Sung Hyun-Ah

 

A North Korean fisherman heads out to sea as he does every day and drifts into South Korean waters when his engine fails. He is taken into custody and tortured by the police, who suspect him of being a spy. After harsh interrogation he barely manages to convince the South Korean police, but when he returns to his country he faces similar interrogation. Through the story of an individual fisherman Kim Ki-duk addresses the political issues of divided Korea, but rather than providing answers he chooses to approach his subject in an inquiring manner.

 

CINEMA SPONSOR